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B.A. (NCCU); M.A. (NCU); Ph.D. (UCLA)


  • 主要著作


    1. (图版解说)《明画全集》。浙江大学中国古代书画研究中心(即将出版。六件香港中文大学文物馆藏品解说)
    2. (副主编,图录专文、解说撰写)莫家良主编,《北山汲古──中国绘画》。香港香港中文大学艺术系、文物馆,2019,页 16-21,316-232,图1、2、3、4、5、6、7、9、10、11、12、16、22、24、27、28、30、31、35、40、46、47、50、61、62、63、64、65、66、67、68、69、78、95、96、98、110、111、112、113。
    3. (Catalogue entries) The Artful Recluse: Painting, Poetry, and Politics in Seventeenth-Century China, edited by Peter Sturman and Susan Tai. Santa Barbara: Santa Barbara Museum of Art, 2012, cats 9, 32, 55.
  • 研讨会

    1. 〈香港中文大学文物馆藏的项圣谟作品〉与〈明代庆寿神仙人物画〉,发表于「北山汲古——中国绘画专题演讨会」,香港中文大学文物馆主办,19/10/2019。
    2. “Invitation to Reclusion: Xiang Shengmo (1597-1658) and His Art beyond the Ming-Qing Transition.” Paper presented in the panel “Confronting Displacement: Responses to War, Violence, and Trauma in Premodern China” in the Association for Asian Studies Annual Conference at Denver, 21/3-24/3/2019.
    3. “Transformation and Appropriation of Woodcut Illustrated Daoist and Buddhist Figures in the Late-Imperial Period.” Paper presented in the panel “Cross-Cuts: New Approaches to Religious Blockprints in China and Beyond, 11th-17th Centuries” in the Association for Asian Studies Annual Conference at Seattle, 31/3-3/4/2016.
    4. “Court Art from the Marketplace: Reconstructing the Pattern of Court Patronage in the Late Ming Period.” Paper presented in the panel “Money Matters: The Art Market in Late Imperial and Modern China” in the College Art Association Annual Conference at New York City, 11/2-14/2/2015.
  • 讲座

    1. 〈万历时期(1573-1620)明代宫廷绘画的复兴〉。「艺术史午餐聚会」,香港中文大学艺术系与文物馆联合主办讲座,2/2/2018。
    2. “The Two Empress Dowager Cisheng’s Buddhist Paintings in the Met’s Collection and Cisheng’s Patronage Strategy.” Paper presented in the Spring Fellows Colloquia organized by the Metropolitan Museum of Art, 4/3/2016.
  • 展览